The C Story is the third most important, but often introduces elements that will carry over to the next episode or season. The B Story is the second most important, usually exploring a different dynamic of the plot that the A Story introduced. The A Story is the central conflict and is often the longest and most important part of each episode and each season. This is about details the A Story, B Story, and C Story. But we make it clear the adventure is a way to explore our characters and their relationships." For us, it is serialized with a focus on one big treasure per season with smaller side missions. So you need to capture the big picture first before you go into the episode breakdowns. Thus, that's the main concern for buyers. The most common problem with most series pitches is that they don't offer enough story and character arcs to warrant a full series. Too many screenwriters focus on the pilot episode when developing their series. You're selling a new car by lifting up the hood and showing the brand new, shiny engine that will make it run for 100,000 miles." Why this story? Why now? Thematically, what's it really about. "You see we start with the 30,000 ft view, the big picture. Here is the first page from Blood & Treasure. It needs to look crisp, read fast, and great images can always help put things into visual context for the reader. You're trying to capture the feeling of the show as much as possible." While you could offer a brief recap of the pilot episode, the main focus should be on everything that happens after the events portrayed within the pilot. If anyone is asking for a show bible, they've likely already read your pilot episode. So it doesn't need to recap the pilot, they should have read it already." The pilot is the first episode, the bible is the show after that. "You'll likely be delivering a pilot and a bible. Here we share his eleven tips and elaborate on his points in hopes that television writers can use the information to write some amazing show bibles for their series pitches. He recently took to Twitter to detail eleven tips on developing a show bible for a series pitch. He has also worked on shows like Judging Amy, Jericho, and Limitless. Matthew Federman is the Co-Creator and Executive Producer of the CBS drama Blood & Treasure. R ead ScreenCraft's How to Sell Your TV Series the Stranger Things Way! The Matthew Federman Show Bible Tips It was now a selling tool, as opposed to a back end reference for an already produced series. That pilot had to be the introduction of the story while a connected show bible showcased the long term potential. It was no longer just about a hot spec pilot. In the risk-averse times post-WGA strike and economic disaster of 2007-2008, the usage of show bibles that accompany spec pilot scripts began to take fashion. Producers and writers eventually began to use the template of a show bible as a selling tool to networks. And then things began to change after the first decade of the 21st century. The practice was less of a product of the showrunner and more a product of the writing assistants in the writers' room.Īs television grew, the use of show bibles evolved. Now all incoming directors, writers, and talent could refer to these bibles, which detailed episode stories already written and produced, character arcs, story arcs, etc. In order to ensure that the nature of the show wouldn’t change as those new writers came in, the show bible was created as a reference tool. Because the shows had multiple seasons, writers would come and go. In the beginning, writer rooms of shows that had been on the air for multiple seasons would create show bibles specifically for the purpose of informing incoming new writers. If you're writing an original television pilot and developing a pitch for the potential series, your research has likely led you to that dreaded document - the show bible.ĭo you have a pilot that needs to be read? Enter the ScreenCraft Pilot Launch TV Script Competition here. What are some tips from professional showrunners, executive producers, and television writers that writers can use to develop their show bible for a series that they are pitching?
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